Music and Sound Samples
Composition Examples, Live Recordings
Composition Examples, Sampled Music
Sound Design Examples
Tulsa's Theme
Original composition, recorded with musicians.
The Life and Times of a Tulsa Lovechild
directed by Greg Owens
The Warehouse Theatre
"Homage to Marat/Marat We're Poor"
Arranged from the original score for a rock band,
played live in the production
(live production recording).
Marat/Sade
directed by Nelson Eusebio
Yale School of Drama
"My Sister Is Always Right"
Song lyrics and tune written by middle school playwright.
Music written, recorded, and mixed and produced by Amy.
The Adventures of Kiki and Bonbon
directed by Patricia McGregor
Dwight/Edgewood Project
"Those Fat Monkeys"
Original composition, played live by rock band
(live production recording).
Marat/Sade
directed by Nelson Eusebio
Yale School of Drama
Janine's Lullaby
Recorded, mixed and produced by Amy.
Started in a scene and swelled to transition.
Jessie Kilguss, vocalist.
Tuesdays with Morrie
directed by Matt Morrow
Epiphany Theatre
Greek Chorus Chants
Marcus Brutus (Julius Caesar adaptation)
Chant created as a collaboration with actors and director,
mic'd and reverberated around the room,
enveloping the audience.
directed by Tea Alagic
Yale School of Drama
Bosola's Song
Composed and recorded with a pianist;
played back during the show and the singer sang live
with a handheld mic (live production recording).
The Duchess of Malfi
directed by Susanna Gellert
Yale School of Drama
"The People's Reaction"
Original compositon, played live by rock band
(live production recording).
Marat/Sade
directed by Nelson Eusebio
Yale School of Drama
New York-based One Acts Transition
Scene Change/Transition Cue for a
night of one acts about NY.
Six Contemporary Shorts
directed by Greg Parente
Professional Performing Arts School, PS212 NY
New York-based One Acts Transition
Scene Change/Transition Cue for a
night of one acts about NY. (montage of some prior cues).
Six Contemporary Shorts
directed by Greg Parente
Professional Performing Arts School, PS212 NY
Monologue Underscoring
Composed with digital instruments
to underscore a monologue.
Tuesdays with Morrie
directed by Matt Morrow
Epiphany Theatre
"Homage to Marat/Marat We're Poor"
Original composition, created digitally for
rehearsal purposes.
Marat/Sade
directed by Nelson Eusebio
Yale School of Drama
"Lullaby of Kiki and Bonbon"
Music composed and created digitally by Amy
to be played along with live singers performing
the lyrics written by middle school playwright.
The Adventures of Kiki and Bonbon
directed by Michael Walkup
Dwight/Edgewood Project
"The People's Reaction"
Original composition, created digitally for
rehearsal purposes.
Marat/Sade
directed by Nelson Eusebio
Yale School of Drama
Video Underscore
Created from found sounds and
digital instruments.
Marcus Brutus (Julius Caesar adaptation)
directed by Tea Alagic
Yale School of Drama
Transitional Sound Cue
Created from found and sampled sounds.
Polaroid Stories
directed by John Hagner
William and Mary
Transitional Cue
Transition into Act IV with a dumbshow onstage. (Featuring music of Andrei Krylov)
The Seagull
directed by Lisa Rothe
Yale School of Drama
Radio Spot advertising theatrical production in Juneau, Alaska
I recorded, designed, mixed and produced.
for Skin of Our Teeth
Aried in Juneau, AL
for the Perserverance Theatre
Menacing Jungle
This cue transitions from the depths of the jungle
into an urban jungle that frightens and confuses
the intrepid explorers of On the Verge.
On the Verge
directed by Jayce Tromsness
The Warehouse Theatre
Death of Tiny Tim
I created this underscoring from several sources
(some found, some original) to play under
Bob Crachit's speech about his son.
Christmas Carol
directed by Jose Zayas
Epiphany Theatre
Ghost of Christmas Future
This selection was created to transition
into the Ghost of Christmas Future section,
and includes a sound that accompanied the reveal
of the giant, eerily lit puppet that was the Ghost.
Christmas Carol
directed by Jose Zayas
Epiphany Theatre